A poetic geometric information visualization poster, inspired by the ancient Chi…

A poetic geometric information visualization poster, inspired by the ancient Chinese poem 'People are idle, osmanthus flowers fall; the night is quiet, the spring mountains are empty. The moon rises, startling the mountain birds; they call from the spring stream.' The style is not ordinary ancient Chinese illustration or realistic landscape painting, but an advanced poster blending Eastern poetic sentiment, editorial design, miniature landscape installation, and information visualization. The scene should resemble a quietly constructed model of the poem: verses are not mere decorations, nor are the landscapes independent scenery; they form a restrained, white-space-filled, orderly, and emotional visual system. Overall style: Eastern minimalism, geometric composition, poetic information board, miniature landscape, low-poly flat 3D, modern editorial design, paper texture, exhibition drawing feel, poetic archive feel. The image should be quiet, restrained, and sparse, avoiding busyness, garishness, traditional Chinese illustration aesthetics, and commercial template feel. Composition: Extensive use of white space, with the main subject concentrated in the center or slightly off-center, unfolding horizontally like an opened poetic blueprint. A deep black or near-black heavy geometric element can serve as the visual focal point, resembling a long table, hull, platform, vessel, boundary, stage, or architectural base. Other elements grow naturally from its interior, edges, behind, below, or from the air. Geometric language: Utilize heavy black platforms, circular holes, semi-circles, vertical paper-like sheets, slender columns, flat planes, steps, arc containers, thin line scales, transparent sheets, and suspended small objects to organize the composition. Geometric forms should have slight stereoscopic perspective but avoid realistic 3D rendering, maintaining a texture between flat illustration and miniature model. Poetic elements: Extract key natural imagery from the poem, such as moon, wind, flowers, rain, snow, water, boat, mountains, tree shadows, branches, falling petals, clouds, mist, light, fragrance, twilight. All natural elements should be geometrized, symbolized, and quieted. Petals can fall like paper scraps, wind can be represented by extremely thin transparent arcs, water surfaces like light-colored mirrors, the moon as a low-saturation circular color block, and mountains as semi-transparent geometric silhouettes. Text typography: Text must be an integral part of the composition. Main verses in large characters, arranged vertically on the left side or in white space, with a font possessing Song Dynasty, stele inscription, scroll, or modern Eastern aesthetic qualities, avoiding common advertising fonts. Small labels, annotations, short phrases, scales, and numbers can be placed on the sides of columns, geometric edges, near wind lines, or in corners, like annotations in exhibition drawings. Text should be sparse and precise, not crowded, dense, or filled with meaningless small characters. Color palette: Background in warm off-white, ivory white, or light gray paper texture with very subtle grain. Main subjects in black, near-black, or ink gray as a stable anchor, complemented by low-saturation warm yellow, moon yellow, wood tones, light beige, pale peach, salmon pink, forest green, mint green. Colors should be gentle, with an old paper feel, avoiding fluorescent colors, high-saturation gradients, tech blue-purple, and cyberpunk aesthetics. Lighting and texture: Soft and restrained shadows with clear but not overly sharp edges. The overall feel should be like a miniature installation built on paper, avoiding excessive realism, photorealistic 3D, thick oil painting impasto, or ink splashes. Maintain the clean aesthetic of high-end editorial design. Figures: One to three micro-figure silhouettes can be included, serving only as references for scale and mood. They can be standing, gazing afar, walking, sitting alone, holding umbrellas, observing water, or looking at the moon. Figures should not be distracting or rendered as realistic characters. Image mood: Contrast between 'lightness and weight.' The black geometric element provides weight, while petals, wind lines, moonlight, small text, and micro-figures provide lightness. The image should resemble a data landscape and a cross-section of poetry, macroscopically quiet and detailed for long viewing. Avoid: Ordinary Chinese illustration, realistic landscapes, pure 3D architectural models, crudely pasted text, cluttered compositions, excessive decorative patterns, high saturation, tech UI, cartoonish styles, large ink splashes, geometric architecture overpowering poetic sentiment. Final output: A 4:3 horizontal composition, high-end editorial design aesthetic, 8K ultra HD, suitable for PPT covers, social media covers, poetic visual posters, report inner pages, or brand cards. --ar 4:3 --style raw --quality 2