cinematic movie poster portrait, generated from user-provided photo, featuring s…

cinematic movie poster portrait, generated from user-provided photo, featuring subjects nestled at the edge of the frame, each gazing upwards at the sky, supported by a vast expanse of pure, solid color. Approximately three-quarters of the image is a clean, saturated, unblemished monochrome field, resembling an infinitely distant sky, creating a sense of openness, longing, and summer-like breathing room. The subjects occupy a narrow strip of about one-quarter of the frame, yielding the majority of the space to the empty color field. Composition adapts to aspect ratio: in portrait orientation, subjects form a low horizontal row at the bottom, with the sky extending upwards; in landscape, subjects align vertically along one side (e.g., left), with the empty color field spreading widely to the other side (e.g., right). In both orientations, subjects and text remain separated, with negative space dominating. A very low angle shot (worm's-eye view) is essential: each character's head is tilted back, chin raised, throat exposed, face looking up towards the empty color field above. The viewer primarily sees the underside of the jaw and the profile or three-quarter profile of the face. Characters never face the camera directly, never make eye contact, do not present a frontal ID-style portrait, and their gaze is directed towards the sky above, not at the viewer. Only heads, shoulders, and a small portion of the upper body are visible, with the bottom edge naturally cropped. Subjects are not limited in type; they must strictly adhere to the objects appearing in the input photo, with their identity, quantity, type, and combination faithfully corresponding to the original photo, without any proliferation, duplication, or addition of extraneous objects. The key pose is leaning on each other rather than looking at the same point: subjects are back-to-back, head-to-head, or one rests their head/back of head on the other's shoulder/neck, leaning in opposite or different directions. Each subject tilts their head back towards their own side of the sky, their gazes diverging into the expansive color field in different directions, not converging on a single focal point. Each subject maintains a raised chin and an upward-looking posture, conveying intimacy, closeness, and individual reverie. Unless explicitly requested to repeat or mirror, the same face or object should not be duplicated. Handwritten title text with brush strokes, slight ligatures, and a casual, slightly slanted, hand-drawn feel is placed in the empty color field, far from the subjects. The text is arranged in two to three scattered lines, using a bright accent color (warm yellow hue, adjustable based on theme/mood) that contrasts warmly with the main color field, making the text appear like a floating personal signature. The default title text is the handwritten English "Call Me By Your Name", replaced only if the user provides custom text. Title placement adapts to aspect ratio: in portrait, it's centered in the upper empty space; in landscape, it's centered in the large negative space opposite the subjects. A line of smaller, thin explanatory text (default "a film by ..." style) is placed above the title, followed by two to three lines of smaller, accented or white uppercase informational text (default "IN SELECT THEATERS / NOVEMBER 24 / #CMBYN" style, user-customizable) below. The portrait version also features several lines of very small white critical quote-style phrases centered at the very top, and a line of white uppercase main actor names at the bottom edge, along with a block of fine, discreet copyright information, completing the full movie poster text hierarchy. The main color field defaults to a pure, saturated, slightly deep cobalt blue/azure – like a clear summer noon sky, approximately #0A66AC (low red, medium green, high blue), distinctly blue, not greenish, grayish, purplish, pinkish blue, or navy/ink blue. This is replaced only if the user specifies another theme color, but the same purity, saturation, and high lightness relationship must be maintained. Overall color scheme: a dominant single large area of pure, high-lightness color field, a warm handwritten accent color (default bright yellow) for highlights, white text for information, and subjects retaining natural skin tones and clothing colors. The image is bright, transparent, clean, saturated but not dirty, with a gentle atmosphere of openness and longing. Even with deeper color fields, the light should remain clear, color steps distinct, negative space airy, avoiding grayness, dullness, stuffiness, dirtiness, or an aged look. Visual weight is firmly concentrated on the contrast between the vast empty space and the subjects gazing upwards at the edge, with subjects never dominating the frame, never shot at eye level, and always maintaining ample negative space and upward, diverging gazes. --ar 16:9 --style raw